moonlight cinematography analysis

But Moonlight is more Wong Kar Wai than The Wire. So was McCraney, 36. How the light looks on someones face. The low immersive camera is combined with this authentic fluid motion that gives the audience the sensation that we are immersed within this endless horizon of water, much like Little, thus enabling the audience to experience Chiron's baptism as he does himself. 22 Must Watch Films For Great Cinematography. And thats still true today.. Jenkins uses all the tools there are in camerawork to create a story thats personal to each and every person. Moonlight is an insightful and compelling independent film directed by Barry Jenkins that follows Chiron, a Black gay man, at three different points in his life. Another scene where the camera circles around the characters is when Chirons bullies are forcing his friend to hit him for being different. Dark colors and harsh light is the appropriate lens, we seem to have decided, for dark circumstances and harsh realities. The attempt was to promote those emotions, not just to present them, but to promote them to a place where you can sense the intensity by which Chirons character is going through these things. Sorry, we could not paraphrase this essay. has been beaten up and bloodied by his bullies. Moonlight doesn't just look and sound great. Jenkins and Tarell Alvin McCraney, who wrote the play on which the movie is based, both grew up there in the same part of Liberty City, Miami. In by doing so Laxton was able to deliver an image that matched the strength of the performance by infusing the dramatic scene with a pop of color, often associated with beauty, which in turn allowed for a map of understanding with respect to who Paula is as a character and why her full existence is essential. Weve always placed powder on skin to dull the light. Jaws follows the police chief Brody, along with scientist Hooper and shark hunter Quint, in their attempt to protect the town of Amity against a Great White shark that is terrorising . Jenkins and cinematographer James Laxton focused on drawing the audience into the inner lives of the characters and creating a consistent visual language to tell a story of fractured identity.

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